However, despite our best efforts, we sometimes miss the mark. Virginia Oldoini, Countess of Castiglione and mistress of Emperor Napoleon III of France photo by Pierre-Louise Pierson, c.1863-66 . Virginia Oldoini, Countess of Castiglione, is an unscrupulous and beautiful woman, in love with Andrea Pieri, a patriot | dHNfTkRzWV9WWDB3c2M. Flavio Calzavara. James Hyman Gallery is delighted to return to Photo London and to present the very first London exhibition of one of the greatest figures in the history of photography, the Countess of Castiglione. Though most of the 700+ photos depicted her wearing her singularly extravagant outfits, some photos were salacious for the time, depicting her naked legs and feet. The Countess of Castiglione in a photo by Pierre-Louis Pierson (c. 1863-66). When Oldoini broke up with Napoleon III, she didnt stop entertaining, and she continued to have hot and heavy affairs with a series of important suitors throughout her life. Like many other significant society figures, she made her way to the Mayer-Pierson photographic studio on Boulevard de Capucine, which was helmed by imperial court photographer and daguerreotypist Pierre-Louis Pierson. Her adult life began when her beauty and noble blood allowed her to become the Countess da Castiglione through marriage to Francesco Verasis. [Profile with Chignon, Large] (Countess Virginia Oldoini Verasis di Castiglione [18351899]) by Pierre-Louis Pierson, 186163, Metropolitan Museum of Art, 1855. This type of data sharing may be considered a sale of information under California privacy laws. (originally appeared in the Chicago Tribune, 9 Oct 1898) A few superstitious Spaniards believe that the long series of misfortunes that has befallen Spain and . Instead, she sent her ex a present in the mail. If you own the rights to content here and wish it removed, please contact us. Want to know more interesting facts? At the peak of her Narcissism, she voluntarily modelled and took controversial pictures of herself. Possibly her most famous photo | Scherzo di Follia (Countess Virginia Oldoini Verasis di Castiglione [18351899]) by Pierre-Louis Pierson, 186366, Metropolitan Museum of Art, La Comtesse de Castiglione (The eyes) by Pierre-Louis Pierson, 18631866 via ArtNet. She Was Born Into Privilege. Instead, she preferred to stand in the middle of the room and let men fawn over her as if she were a shrine. Creepily enough, her parents were totally fine with thisin fact, they took advantage of it in the worst way possible. She allegedly had an illicit love affair with a naval officer, right before the day of her marriage to the Count, tagging herself with an anarchist title. The poet and dandy Robert de Montesquiou was obsessed with her even when she was alive, and his ardor only grew. Behind her sits a child, his face blurred and ghostly mid-motion. Catherine of Aragon is now infamous as King Henry VIIIs rejected queenbut few people know her even darker history. If there was one thing Virginia could not come to terms with, it had to be ageing. The French court photographer Pierre-Louis Pierson took more than 400 portraits of the Countess Castiglione, considered the most beautiful woman of her time,during a 40-year collaboration. She had been secretly entrusted with a significant mission: to persuade Emperor Napoleon III into agreeing on the unification of Italy. The Countess of Castiglione began life as Virginia Oldoini, a celebrated beauty and a member of the minor nobility in Florence, Tuscany. DISCLAIMER: Frock Flicks claims no credit for images featured on this site unless noted. Genealogy profile for Virginia Oldoini, Countess of Castiglione. Well, today we're going to talk about the woman considered the queen of selfies and a true pioneer of photography in general. On March 22, 1837, the Countess was born into her very own gilded, velvet world. Years later, I was using her phone when I made an utterly chilling discovery. Whichever interpretation you prefer, it's probably a fitting one. I dont think narcissist is the right word. Virginia gladly accepted the offer, with the condition of using any means necessary to lure the King. The subject of the photoa woman named Virginia Oldoini, better known as the Countess of Castiglionesat for hundreds of haunting, strange photos over the course of 40 years, from 1856 to 1895 . 4.68, 6.20 Count Camilo, was fixed with the ambition to unify Italy. ", In La Divine Comtesse, a book exploring the Countess' social and cultural legacy, curator Pierre Apraxine writes that art critics have long overlooked the Countess' body of work, mistakenly considering it trivial. Search. In the end, the countess was true to herself, making it clear "I am not here for you. The Wikipedia article for Virginia Oldoni, Countess of Castiglione, places her behind the scenes at some critical points in Franco-Italian history, France supporting Italian unification and Prussia not occupying Paris. Linocut La Castiglione in the mirror. She may have been persuasive because Paris was spared Prussian occupation.[5]. ", But Apraxine notes that the Countess' work anticipated several trends in contemporary art and feminist art in particular, prefiguring artists like Cindy Sherman, Claude Cahun, Gillian Wearing, Yasumasa Morimura, and Sophie Calle, all of whom used photography to explore the significance of dressing up, adopting appearances, and manipulating the means of being viewed by othersthough Apraxine cautions against viewing the Countess' work as feminist or a "conscious source of the pictorial innovations to follow. She was renowned for her beauty, which helped take her life in a couple of interesting directions. One of her most infamous outfits was a "Queen of Hearts" costume. In her own writings, she refers to herself in the third person. Vintage Photography. While some may call her self-involved, others may say that she knew her beauty, and wanted to make the most of it. Genres Drama History. Voyeurism? Aside from taking up with Napoleon III in full view of her husband Francesco, the countess also literally bankrupted the man with her expensive tastes. It wasnt boredom, but indiscretion which provoked Napoleon to discard her. Commissioned by the countess herself and created under her supervision, the images more . She also produced many photographs of herself depicting famous women from the Bible, history, and mythology. ", Writing about herself in third person, the Countess said, "The Eternal Father did not know what he was creating the day he sent her into the world; he modeled and modeled, and when he was finished he looked at his wondrous work and was overwhelmed. Even though it took the virtual dissolution of her marriage, the Countess of Castiglione did eventually succeed in her original mission. Theres just NOTHING 19th century about this look, and 2. She had many lovers, including a banker of the Rothschild family and the then director of the Louvre Museum.[2]. Try using a different browser or disabling ad blockers. His devotion led him to confide in his cousin. She replied in kind, No, Sire. She was a diplomat, an opportunistic fashion rebel and a pioneer in the self-constructed photographic image. It might seem ordinary for us today, however it was a grave act of shame for women in the 19th century. Our editors are instructed to fact check thoroughly, including finding at least three references for each fact. She was also a significant figure in the early history of photography. Please submit feedback to contribute@factinate.com. On an early trip to Paris, she and her husband met with Camillo, Count of Cavour. If you want to see more images of La Castiglione you should check it out. Virginia Oldoini was born into a noble family in 1837, in Florence,Tuscany. She also recreated defining moments of her life, mythologizing her own story by documenting herself in dresses that had proved themselves especially admired or notorious, chief among them being her Queen of Hearts costume. Select from premium Virginia Oldoini, Countess Of Castiglione of the highest quality. Boards are the best place to save images and video clips. Plus, you know, there was the whole "other woman" thing. In her later years the Countess removed all mirrors from her apartment, refusing to watch her beauty decay. dressed in a gorgeous gown and holding a knife in her hand, titled "La Venegance . Access the best of Getty Images with our simple subscription plan. In the 1890s she began a brief collaboration with Pierson again, though her later photographs clearly show her loss of any critical judgement, possibly due to her growing mental instability. And that's how she continues to exist: as an image, a face, a set of poses meticulously choreographed and endlessly marveled over. The use of most of her photos is unclear. The Countess' story begins in the mid-19th century, when she was married off to an Italian count at age 17. This unique personality from the 19 th century is none other that of the Countess of Castiglione, whose own life merits a novel and whose art turned out to be quite extravagant. (689) $5.95. Without a doubt, the Countess had gained much popularity among men of cadre in France. I recently stumbled across this 1942 version starring Doris Duranti as the countess on YouTube (the other main film about the countess is the 1954The Contessas Secret starring Yvonne de Carlo; if anyone knows where I can watch it, let me know!). Imperial Court. Hand-painted photographs were a luxurious novelty at the time, so naturally Oldoini made the best use of them she could. If Oldoini counted you among her closest friends, you might get a ridiculous memento from her. Some of the images are sumptuous and witty. The legs of Virginia Oldoini, Countess di Castiglione (18371899), by Pierre-Louis Pierson, c1861/67 (Photo: Wikimedia) But photography is the true legacy of La Castiglione's life. Soon after the divorce, The Countess took a rather popular photograph in todays time, dressed in a gorgeous gown and holding a knife in her hand, titled La Venegance, and sent it to her husband as a befitting reply. In these photos, her head is cropped out. Pinterest. Virginia Oldoini, infamously known as The Countess of Castiglione, was a femme fatale, and an icon in her time, breaking traditional stereotypes, turning eyes and bending knees, wherever she set foot. La Comtesse de Castiglione (The eyes) by Pierre-Louis Pierson, 1863-1866 via ArtNet. Today. The Countess of Castiglione in collaboration with Pierre-Louis Pierson. On one famous evening, Napoleon III was leaving as she was making her grand entrance, You are too late, he said. Oldoini never did reconcile with her husbandand though this would get her into trouble later, she didnt much mind for the time being. Sadly, as well see, she might have had a darker reason for this behavior. First, a gorgeous photo of her in stunning plaid with a crazy wasp waist turned up in a history textbook my freshman year of college. In her biography, she explicitly described herself as The Eternal Father did not know what he was creating the day he sent her into the world.. But the alternative in which the lover (or he or politics) is placed will lead her to choose, albeit reluctantly, her patriotic task.. As Napoleon IIIs mistress, La Castiglione certainly influenced his views on Italyand she reported those conversations to the men who set this task for her. The first book, "Exposition," translated by Amanda DeMarco, is about the Countess of Castiglione, a nineteenth-century aristocrat who dedicated herself to becoming the most photographed woman . ), Yes, its found it. I would prefer a more historical and clothing accurate movie than the 1940s one and Im wondering since the countess was a supporter of the Italian Union did she know the Milanese Countess Maffei who was portrayed in the biopic series Verdi which had good costumes? La comtesse de Castiglione - Passy, 1861-1867. Come to terms with, it had to be ageing self-involved, may! Director of the Rothschild family and the then director of the minor nobility in Florence, Tuscany her beauty noble... Spared Prussian occupation. 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